"Utrenja, Part II, "The Resurrection of Christ": I. The Gospel" by Krzysztof Penderecki, Iwona Hossa, Agnieszka Rehlis, Piotr Kusiewicz, Piotr Nowacki, Gennady Bezzubenkov, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit was released on April 28, 2009. The duration of Utrenja, Part II, "The Resurrection of Christ": I. The Gospel is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Utrenja, Part II, "The Resurrection of Christ": I. The Gospel's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Penderecki, K.: Utrenja". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Utrenja, Part II, "The Resurrection of Christ": I. The Gospel is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Utrenja, Part II, "The Resurrection of Christ": I. The Gospel by Krzysztof Penderecki, Iwona Hossa, Agnieszka Rehlis, Piotr Kusiewicz, Piotr Nowacki, Gennady Bezzubenkov, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes: No. 1. Nuages | Claude Debussy, MDR Leipzig Radio Chorus, Leipzig Radio Symphony Orchestra, Max Pommer | C Major | 0 | 8B | 76 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Morceaux de Fantaisie, Op. 3: 1. Elégie | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Minor | 1 | 2A | 89 BPM | ||
Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
Utrenja, The Resurrection of Christ: I. The Gospel | Krzysztof Penderecki, Jadwiga Gadulanka, Radosław Żukowski, Gennady Bezzubenkov, Piotr Kusiewicz, The National Philharmonic Choir, MDR Leipzig Radio Symphony Orchestra | D Major | 10 | 10B | 63 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Das Rheingold: Prelude | Richard Wagner, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | A♭ Major | 1 | 4B | 77 BPM | ||
Powialo na mnie morze snów..., Pt. 2 "Co mowi noc?": No. 9, Co mowi noc | Krzysztof Penderecki, Agnieszka Rehlis, Podlasie Opera and Philharmonic Choir, Podlasie Opera and Philharmonic Symphony Orchestra, Wojciech Rajski | B♭ Major | 1 | 6B | 77 BPM |
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