"Moonlight In Vermont" by Camarata & His Orchestra was released on 2003. The duration of Moonlight In Vermont is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Moonlight In Vermont's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Soft And Sentimental". In this album, this song's track order is #10. In terms of popularity, Moonlight In Vermont is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Moonlight In Vermont by Camarata & His Orchestra having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berenice, HWV 38: Overture. Andante, larghetto "Minuet from Berenice" | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | E♭ Major | 2 | 5B | 64 BPM | ||
Moskva, Cheryomushki (Moscow, Cheryomushki) Suite, Op. 105 (arr. A. Cornall): II. Waltz | Dmitri Shostakovich, Andrew Cornall, Berlin Radio Symphony Orchestra, Steven Sloane | E Minor | 0 | 9A | 96 BPM | ||
Madama Butterfly / Act 2: "Un bel dì vedremo" | Giacomo Puccini, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 3 | 11B | 100 BPM | ||
Mon coeur s'ouvre à ta voix (from Samson and Delilah) | Camille Saint-Saëns, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | D♭ Major | 1 | 3B | 133 BPM | ||
Symphony Fantastique in C Major, Op 14: II. Un Bal - Allegro non troppo | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | D Major | 4 | 10B | 125 BPM | ||
Madama Butterfly / Act 2: "Coro a bocca chiusa" (Humming Chorus) | Giacomo Puccini, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | G Major | 2 | 9B | 139 BPM | ||
Andante cantabile from Fedora | Umberto Giordano, Giuseppe Patanè, Hungarian State Radio and Television Orchestra | E Major | 2 | 12B | 163 BPM | ||
Militant Beauty | Danke Timi Briggs | B♭ Major | 2 | 6B | 152 BPM | ||
Isabella: Overture | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 99 BPM | ||
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM |
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