Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset made "Atys, LWV 53, Prologue: Prélude pour Melpomène" available on January 12, 2024. With Atys, LWV 53, Prologue: Prélude pour Melpomène being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Chœur De Chambre De Namur, Les Talens Lyriques, Christophe Rousset's "Lully: Atys" album is number 6 out of 75. In terms of popularity, Atys, LWV 53, Prologue: Prélude pour Melpomène is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Atys, LWV 53, Prologue: Prélude pour Melpomène by Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in G Major, Op. 3 No. 3, WolS G3: IV. Presto | Johann Stamitz, Musica Viva, Alexander Rudin | D♭ Major | 4 | 3B | 147 BPM | ||
Armide: Act I, Scene 3: Marche. Hidraot & chœur : "Armide est encore plus aimable" | Jean-Baptiste Lully, Bernard Deletré, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 1 | 6B | 148 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Armide: Act I, Scene 1: Ritournelle. Phénice : "Dans un jour de triomphe" | Jean-Baptiste Lully, Collegium Vocale Gent, Noemi Rime, La Chapelle Royale, Philippe Herreweghe, Véronique Gens, Guillemette Laurens | C Minor | 1 | 5A | 93 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 1. Les Sauvages - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 90 BPM | ||
Ciaccona (Antonio Falconiero ca. 1585-1656) | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | G Major | 1 | 9B | 101 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Armide, LWV 71, Act II Scene 4: Ah ! Quelle erreur ! (une Naïade, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Anouk Defontenay, Chœur de l'Opéra de Dijon | F Major | 1 | 7B | 139 BPM | ||
Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM |
Section: 0.7785913944244385
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