Carl Orff, Thomas Hampson, Berliner Philharmoniker, Seiji Ozawa made "Carmina Burana / 2. In Taberna: XI. Estuans interius" available on January 1, 1989. The duration of Carmina Burana / 2. In Taberna: XI. Estuans interius is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Carmina Burana / 2. In Taberna: XI. Estuans interius's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Netherlands. Carmina Burana / 2. In Taberna: XI. Estuans interius is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Carmina Burana / 2. In Taberna: XI. Estuans interius by Carl Orff, Thomas Hampson, Berliner Philharmoniker, Seiji Ozawa having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danzas fantasticas, Op. 22: Orgia | Joaquín Turina, Orquesta Sinfónica de Castilla y León, Max Darman Bragado | D Major | 2 | 10B | 136 BPM | ||
Requiem, Op. 89 B. 165: Sequentia: Dies irae (Chorus) | Antonín Dvořák, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni Wit | D Major | 3 | 10B | 134 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Carmen, Act I: No.5 Habanera : L'amour est un oiseau rebelle (Carmen/Cigarières/Jeunes gens/Dragons) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D Major | 1 | 10B | 124 BPM | ||
La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" - Reprise | Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Minor | 2 | 7A | 135 BPM | ||
Aquarium | St. Mark's Philharmonic Orchestra | A Minor | 0 | 8A | 132 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM |
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