Grace Williams, Jeremy Huw Williams, Rachel Kay Green made "Hun Gwenllian for Harpe and Voice (The Little Princess)" available on November 1, 2017. The duration of Hun Gwenllian for Harpe and Voice (The Little Princess) is about 3 minutes long, at 3:17. Based on our data, "Hun Gwenllian for Harpe and Voice (The Little Princess)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Grace Williams, Jeremy Huw Williams, Rachel Kay Green, Paula Fan's "My Last Duchess: The Songs of Grace Williams" album is number 21 out of 28. On top of that, United Kingdom appears to be the country where this track was created. Hun Gwenllian for Harpe and Voice (The Little Princess) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Hun Gwenllian for Harpe and Voice (The Little Princess) by Grace Williams, Jeremy Huw Williams, Rachel Kay Green to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | B♭ Major | 1 | 6B | 133 BPM | ||
Oberek No. 1 - Musical Moments | Grażyna Bacewicz, Bomsori, Julia Okruashvili | D Major | 5 | 10B | 140 BPM | ||
Abschiedsserenade: I | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | C Major | 0 | 8B | 71 BPM | ||
DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Tales of a Small Flute for Piccolo & Piano: I. Volne (Andante) | Vítězslava Kaprálová, Haika Lübcke, Hendrik Heilmann | E Major | 0 | 12B | 96 BPM | ||
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 99 BPM | ||
Serenade for Strings in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM |
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