Handel, A Young, H Harper, English Chamber Orchestra, J Shirley-Quirk, H Lester, Wandsworth School Boys Choir, J Somary, H Watts, Amor Artis Chorale's 'Judas Maccabaeus, HWV63: 43. Recitative: Oh grant it, heav'n' came out on February 19, 2013. With Judas Maccabaeus, HWV63: 43. Recitative: Oh grant it, heav'n being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 219 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Judas Maccabaeus, HWV63: 43. Recitative: Oh grant it, heav'n is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Judas Maccabaeus, HWV63: 43. Recitative: Oh grant it, heav'n by Handel, A Young, H Harper, English Chamber Orchestra, J Shirley-Quirk, H Lester, Wandsworth School Boys Choir, J Somary, H Watts, Amor Artis Chorale is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Requiem in D Minor, K. 626: 3. Sequentia: Tuba mirum - Live | Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | B♭ Major | 1 | 6B | 86 BPM | ||
Allegretto in D Major, IAS. 34 | Antonio Salieri, Orchestre de Saint-Christol | B Minor | 3 | 10A | 145 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Act II - Didimus - Recitative, Aria | Handel, Amor Artis Chorale, English Chamber Orchestra | G Minor | 2 | 6A | 86 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Trumpet Concerto in E-Flat Major, Hob.VIIe:1: II. Andante | Joseph Haydn, John Wallace, Christopher Warren-Green, Philharmonia | B♭ Minor | 2 | 3A | 172 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Act I - Chorus "Hear Us, O Lord" | Handel, Heather Harper, John Shirley-Quirk, Helen Watts, ECO/Somary, Alexander Young | E Minor | 2 | 9A | 67 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Concerto for 2 Flutes in C Major, RV 533: III. Allegro | Antonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM |
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