"Act II - Didimus - Recitative, Aria" by Handel, Amor Artis Chorale, English Chamber Orchestra was released on October 14, 2008. The duration of Act II - Didimus - Recitative, Aria is about 3 minutes long, at 3:29. Based on our data, "Act II - Didimus - Recitative, Aria" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Handel, Amor Artis Chorale, English Chamber Orchestra's "Handel: Theodora" album is number 4 out of 47. On top of that, United States appears to be the country where this track was created. Act II - Didimus - Recitative, Aria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Act II - Didimus - Recitative, Aria by Handel, Amor Artis Chorale, English Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Vaughan Williams: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 1 | 5A | 89 BPM | ||
Act I - Didimus, Valens - Recitative; Valens - Aria | Handel, Amor Artis Chorale, English Chamber Orchestra | A Minor | 2 | 8A | 52 BPM | ||
Symphony No. 50 in D Minor, Op. 10, No. 5: I. Allegro non tanto | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | D Minor | 2 | 7A | 76 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Andante Cantabile | Pyotr Ilyich Tchaikovsky, St. Lawrence String Quartet | B♭ Major | 0 | 6B | 90 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Trumpet Concerto in E-Flat Major, Hob. VIIe:1: III. Finale - Allegro | Joseph Haydn, Alison Balsom, Thomas Klug, Deutsche Kammerphilharmonie Bremen | E♭ Major | 2 | 5B | 138 BPM | ||
Oboe Concerto in D minor - Allegro moderato | Alessandro Marcello, Senia Trubashnik, Luxembourg Radio Symphony Orchestra, Kurt Redel | C Minor | 2 | 5A | 75 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM |
Section: 0.7444972991943359
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