"Act I - Didimus, Valens - Recitative; Valens - Aria" by Handel, Amor Artis Chorale, English Chamber Orchestra was released on October 14, 2008. The duration of Act I - Didimus, Valens - Recitative; Valens - Aria is about 3 minutes long, at 3:10. Based on our data, "Act I - Didimus, Valens - Recitative; Valens - Aria" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Handel, Amor Artis Chorale, English Chamber Orchestra's "Handel: Theodora" album is number 3 out of 47. On top of that, United States appears to be the country where this track was created. Act I - Didimus, Valens - Recitative; Valens - Aria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Act I - Didimus, Valens - Recitative; Valens - Aria by Handel, Amor Artis Chorale, English Chamber Orchestra to be Lento (slowly) because the track has a tempo of 52 BPM, a half-time of 26BPM, and a double-time of 104 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
Symphony in A Major, Op. 1, No. 3, (Callen 3): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | E Major | 2 | 12B | 153 BPM | ||
Bach, C.P.E.: Cello Concerto No. 3 in A Major, Wq. 172, H. 439 (Cadenzas by Anner Bylsma): III. Allegro assai | Carl Philipp Emanuel Bach, Anner Bylsma, Orchestra of the Age of Enlightenment, Gustav Leonhardt | A♭ Minor | 1 | 1A | 75 BPM | ||
Sinfonia in D Major, "La Veneziana": I. Allegro assai | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 108 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana | A Major | 3 | 11B | 131 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro | Johann Sebastian Bach, Elizabeth Wallfisch/Lisa Beznosiuk/Malcolm Proud/Orchestra of the Age of Enlightenment, Elizabeth Wallfisch, Orchestra of the Age of Enlightenment | D♭ Major | 3 | 3B | 101 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
La Nuit Ballet: Ouverture | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 61 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM |
Section: 0.7003331184387207
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