Louis-Nicolas Clérambault, Le Concert Spirituel, Herve Niquet's 'Le Triomphe d'Iris (The Triumph of Iris): Entree III Scene 4: Premier passepied pour les bergers et les bergeres' came out on January 11, 2000. The duration of Le Triomphe d'Iris (The Triumph of Iris): Entree III Scene 4: Premier passepied pour les bergers et les bergeres is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Le Triomphe d'Iris (The Triumph of Iris): Entree III Scene 4: Premier passepied pour les bergers et les bergeres's duration is considered a little bit shorter than the average duration of a typical track. The song is number 28 out of 29 in Clerambault: Triomphe D'Iris by Louis-Nicolas Clérambault. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Le Triomphe d'Iris (The Triumph of Iris): Entree III Scene 4: Premier passepied pour les bergers et les bergeres's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le Triomphe d'Iris (The Triumph of Iris): Entree III Scene 4: Premier passepied pour les bergers et les bergeres by Louis-Nicolas Clérambault, Le Concert Spirituel, Herve Niquet is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Two Airs for a Violin or German Flute, Violin, Cello & Harpsichord: Auld Bob Morrice. Affetuoso - Allegro | Francesco Geminiani, Rachel Podger, Brecon Baroque | F♯ Major | 1 | 2B | 97 BPM | ||
Te Deum "de Lyon": III. Te gloriosus apostolorum chorus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM | ||
La morte del cor penitente, Pt. 1: Sinfonia | Giovanni Legrenzi, Sonatori de la Gioiosa Marca | C Minor | 1 | 5A | 192 BPM | ||
Organ Concerto No.5 in F, Op.4 No.5 HWV 293: 3. Alla siciliana | George Frideric Handel, Accademia Bizantina, Ottavio Dantone | A♭ Major | 0 | 4B | 119 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: VII. Gavotte | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo | Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas | A♭ Minor | 0 | 1A | 74 BPM | ||
Violin Sonata No. 1 in D Minor: III. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | F♯ Minor | 0 | 11A | 134 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
Airs for the Spring: Crocus: I. Aria: Moderato | James Oswald, The Broadside Band | D♭ Minor | 2 | 12A | 92 BPM |
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