"Lieder und Gesänge aus 'Wilhelm Meister', Op. 98a: 3. Nur wer die Sehnsucht kennt" by Robert Schumann, Edith Mathis, Christoph Eschenbach was released on January 1, 2001. The duration of Lieder und Gesänge aus 'Wilhelm Meister', Op. 98a: 3. Nur wer die Sehnsucht kennt is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Lieder und Gesänge aus 'Wilhelm Meister', Op. 98a: 3. Nur wer die Sehnsucht kennt's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "Schumann: Frauenliebe und Leben & andere Lieder". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. Lieder und Gesänge aus 'Wilhelm Meister', Op. 98a: 3. Nur wer die Sehnsucht kennt is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lieder und Gesänge aus 'Wilhelm Meister', Op. 98a: 3. Nur wer die Sehnsucht kennt by Robert Schumann, Edith Mathis, Christoph Eschenbach having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
Deux Arabesques, CD. 74: I. Andantino con moto | Claude Debussy, Nikolai Lugansky | F♯ Minor | 0 | 11A | 68 BPM | ||
Piano Quartet in E flat, Op.47: 3. Andante cantabile | Robert Schumann, Beaux Arts Trio, Samuel Rhodes | B♭ Major | 0 | 6B | 67 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | E Major | 0 | 12B | 89 BPM | ||
6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM | ||
Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM | ||
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM |
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