"Wie glänzt so hell" by Josephine Lang, Heidi Kommerell, Heike Hallaschka was released on January 1, 2002. The duration of Wie glänzt so hell is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Wie glänzt so hell's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Josephine Lang, Heidi Kommerell, Heike Hallaschka's "Josephine Lang: Lieder" album is number 13 out of 20. On top of that, Germany appears to be the country where this track was created. Wie glänzt so hell is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wie glänzt so hell by Josephine Lang, Heidi Kommerell, Heike Hallaschka to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poème d'un jour, Op. 21: No. 3, Adieu | Gabriel Fauré, Stéphane Degout, Alain Planès | D♭ Major | 7 | 3B | 90 BPM | ||
Six Moravian Choruses: V. The Wild Rose | Leoš Janáček, Cappella Amsterdam, Daniel Reuss | A♭ Major | 1 | 4B | 137 BPM | ||
Sechs deutsche Lieder, Opus 41: Nr. 5 Der erste Kuss (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | E Major | 1 | 12B | 113 BPM | ||
An die ferne Geliebte, Op. 98: 4. Diese Wolken in den Höhen | Ludwig van Beethoven, Dietrich Fischer-Dieskau, Jörg Demus | F Major | 1 | 7B | 124 BPM | ||
Elias, Op. 70: Part I: Introduction - so wahr der Herr, der Gott Israels, lebt (Rec.) | Felix Mendelssohn, Karl-Friedrich Beringer | C Major | 1 | 8B | 104 BPM | ||
Missa Maria Magdalena: Äktenskapsbryterskan | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 2 | 10B | 90 BPM | ||
Tosti: L'ultima canzone - Live | Francesco Paolo Tosti, Michael Fabiano | C Major | 1 | 8B | 70 BPM | ||
Labsente | Cécile Chaminade, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 78 BPM | ||
Die Liebende schreibt (arr. C. Brandt for voice and guitar) | Christopher Brandt, Josephine Lang, Katharina Magiera | D Major | 0 | 10B | 83 BPM | ||
Walzer-Gesänge, Op. 6: No. 5, Blaues Sternlein | Alexander von Zemlinsky, Hanna-Elisabeth Müller, Juliane Ruf | G Major | 0 | 9B | 105 BPM |
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