Johann Christoph Pezel, Ludwig Güttler, Blechbläserensemble Ludwig Güttler made "Hora Decima: Sonata No. 24" available on January 1, 1984. The duration of Hora Decima: Sonata No. 24 is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Hora Decima: Sonata No. 24's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 25 in Bläsermusik zur Weihnacht by Ludwig Güttler, Blechbläserensemble Ludwig Güttler. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Hora Decima: Sonata No. 24 is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Hora Decima: Sonata No. 24 by Johann Christoph Pezel, Ludwig Güttler, Blechbläserensemble Ludwig Güttler is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alcidiane: Chaconne des Maures | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 80 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": II. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
Opus musicum sonatarum: Sonata Ebura in B-flat Major | Johann Christoph Pezel, Acronym | A Major | 2 | 11B | 101 BPM | ||
Organ Voluntary in D Major, Op. 6 No. 5: II. Andante largo | John Stanley, Richard Marlow | F Major | 0 | 7B | 69 BPM | ||
Sonata No. 1 in F Major, Op. 1: I. Grave | Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, Mike Fentross, Pieter-Jan Belder | E♭ Minor | 2 | 2A | 134 BPM | ||
Sonatina No. 66 | Johann Christoph Pezel, Kenneth Cooper, Gerard Schwarz, Lee Soper, Newton Mansfield, Oscar Ravinah, Fred Zlotkin | C Major | 0 | 8B | 74 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 70 BPM | ||
Magnificat, RV 610: 9. Gloria Patri | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | ||
8 Short Preludes on Gregorian Themes, Op. 45: III. Pange lingua | Marcel Dupré, Stefan Engels | D Major | 1 | 10B | 129 BPM | ||
Concerto in D Major, Op. 6 No. 1: IV. Allegro | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | C Major | 1 | 8B | 72 BPM |
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