Carl Albert Loeschhorn, José Manuel Ortega Caballo, Carl Albert Loeschhorn Carl Albert Loeschhorn Carl Albert Loeschhorn made "Kinderstücke Nr. 1 Op. 182 for Flute & Strings" available on July 4, 2023. With Kinderstücke Nr. 1 Op. 182 for Flute & Strings being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Carl Albert Loeschhorn, José Manuel Ortega Caballo, Carl Albert Loeschhorn Carl Albert Loeschhorn Carl Albert Loeschhorn's "Kinderstücke Nr. 1 Op. 182" album is number 4 out of 4. Kinderstücke Nr. 1 Op. 182 for Flute & Strings is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Kinderstücke Nr. 1 Op. 182 for Flute & Strings by Carl Albert Loeschhorn, José Manuel Ortega Caballo, Carl Albert Loeschhorn Carl Albert Loeschhorn Carl Albert Loeschhorn to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hymn Tune Prelude on "Song 13" (Version for Orchestra) | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron | G Major | 1 | 9B | 79 BPM | ||
Dolly, Op. 56: I. Berceuse (Arr. For Cello and Piano by Marc Coppey) | Gabriel Fauré, Marc Coppey, François Dumont | E Major | 1 | 12B | 132 BPM | ||
An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | ||
Vae Tibi | Radoslaw Pallarz, Franz Bach, Emily Korner, Bernhard Lörcher, Jakob Lustig, Tabea Schmidt, Philippe Tondre, Felix von Tippelskirch | C Minor | 1 | 5A | 75 BPM | ||
Four Pieces from a Distance: No. 4, Children of the Heavenly Father/Amen | Håkon Daniel Nystedt, Oslo Kammerkor, NyNorsk Messingkvintett, Anders Eidsten Dahl | C Major | 0 | 8B | 70 BPM | ||
Double Slam (Main Titles) | Milo Paulus | A Minor | 1 | 8A | 67 BPM | ||
Allegro Affection | Mira Solvato | G Minor | 1 | 6A | 110 BPM | ||
Shchedrin: Carmen Suite: IX. Torero (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
Ave Maria "Tanti anni prima" | Yoko Ara, Takehiko Yamada | C Major | 1 | 8B | 77 BPM | ||
25 Études faciles et progressives, Op. 100: No. 5, Innocence | Franz Burgmüller, The Gerst Ensemble | F Major | 0 | 7B | 84 BPM |
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