Maurice Greene, David Schrader's ' "A Collection of Lessons: Pieces in C Minor: II. Gigue" was released on its scheduled release date, November 11, 2014. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. A Collection of Lessons: Pieces in C Minor: II. Gigue's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Maurice Greene, Baroque Band, Garry Clarke's "Greene: Overtures" album is number 25 out of 33. On top of that, United States appears to be the country where this track was created. A Collection of Lessons: Pieces in C Minor: II. Gigue is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of A Collection of Lessons: Pieces in C Minor: II. Gigue by Maurice Greene, David Schrader to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Sanctus | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | C Major | 3 | 8B | 92 BPM | ||
Iphigenie en Aulide, Act II: Gavotte (arr. J. Brahms): Gavotte | Christoph Willibald Gluck, Johannes Brahms, Janos Sebestyen | D Major | 1 | 10B | 117 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
Holy is the True Light | William Henry Harris, Christ Church Cathedral Choir, Stephen Farr, Stephen Darlington | B♭ Major | 0 | 6B | 130 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
O sacrum convivium | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Major | 2 | 6B | 74 BPM | ||
Te deum, LWV 55: IV. Patrem immensae majestatis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Hearken Unto Me, Ye Holy Children: No. 3, Chorus. And in Praising Him You Shall Say | Maurice Greene, Choir of The King's Consort, Robert King, The King's Consort | D♭ Major | 2 | 3B | 94 BPM | ||
Evening Service In G Minor (Z.231): Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
Fantasias & In Nomines: No. 15 in G Minor, In Nomine a 6, Z. 746 | Henry Purcell, Chelys Consort of Viols, Emily Ashton | F♯ Minor | 1 | 11A | 108 BPM |