"Amour malade: Ritournelle et Chanson Contre les Jaloux" by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon was released on May 4, 1998. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jean-Baptiste Lully's "Lully: Ballet Music for the Sun King" album is number 23 out of 35. Amour malade: Ritournelle et Chanson Contre les Jaloux is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Amour malade: Ritournelle et Chanson Contre les Jaloux by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto À 4 Parties In A Minor: 2. Gavotte I and Gavotte II:Tendrement | Michel Blavet, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 0 | 4B | 104 BPM | ||
Dido and Aeneas / Act 1: "Whence could so much virtue spring?" | Henry Purcell, Catherine Bott, Emma Kirkby, Julianne Baird, Academy of Ancient Music, Christopher Hogwood | B Minor | 0 | 10A | 170 BPM | ||
Couperin, F: Deuxième leçon de ténèbres pour le Mercredi saint: IV. Teth | François Couperin, William Christie, Patricia Petibon, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
Dixit Dominus, HWV 232: Iuravit Dominus | George Frideric Handel, The Sixteen, Harry Christophers | F♯ Minor | 3 | 11A | 131 BPM | ||
Armide: Act II Scene 5: Enfin il est en ma puissance (Armide) | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | D Minor | 1 | 7A | 94 BPM | ||
Mystery (Rosary) Sonata No. 11, "The Resurrection": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | F♯ Major | 0 | 2B | 119 BPM | ||
Concerto Grosso in A Minor, Op. 6, No. 4, HWV 322: III. Largo e piano | George Frideric Handel, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 57 BPM | ||
If ever I more riches did desire, Z. 544 | Henry Purcell, Nils Brown, Paul Grindlay, Meredith Hall, Gillian Keith, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 68 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Concerto grosso in F Major, Op. 6, No. 2 HWV 320: I. Andante larghetto | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, Trevor Pinnock, The English Concert | A♭ Minor | 1 | 1A | 157 BPM |
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