"Chanson de Matin, Op.15, No.2" by Edward Elgar, BBC Concert Orchestra, Barry Wordsworth was released on January 1, 1996. The duration of Chanson de Matin, Op.15, No.2 is about 3 minutes long, at 3:04. Based on our data, "Chanson de Matin, Op.15, No.2" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "The Last Night of the Proms Collection". In this album, this song's track order is #6. Chanson de Matin, Op.15, No.2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chanson de Matin, Op.15, No.2 by Edward Elgar, BBC Concert Orchestra, Barry Wordsworth having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Geschichten aus dem Wienerwald (Tales from the Vienna Woods), Op. 325 (RV 325) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | B♭ Major | 1 | 6B | 176 BPM | ||
Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
Götterdämmerung / Prologue: Siegfrieds Rheinfahrt - Excerpt | Richard Wagner, Staatskapelle Dresden, Peter Schneider | B♭ Major | 3 | 6B | 80 BPM | ||
Symphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | F Major | 1 | 7B | 114 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Arr. for Violin & Orchestra) | Fritz Kreisler, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | A Minor | 1 | 8A | 89 BPM | ||
Handel in the Strand, RMTB 2a | Percy Grainger, Richard Hickox, BBC Philharmonic | G Major | 1 | 9B | 112 BPM | ||
Madama Butterfly / Act 2: Humming Chorus | Giacomo Puccini, BBC Concert Orchestra, Barry Wordsworth | B♭ Major | 0 | 6B | 71 BPM | ||
Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth | B Minor | 1 | 10A | 85 BPM |
Section: 0.8416497707366943
End: 0.8484640121459961