"Pictures At an Exhibition: V. Ballet of the Unhatched Chicks - Orch. Ravel" by Maurice Ravel, Modest Mussorgsky, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel was released on 1968. With Pictures At an Exhibition: V. Ballet of the Unhatched Chicks - Orch. Ravel being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Rundfunk-Sinfonieorchester Leipzig, Dresdner Philharmonie, MDR Leipzig Radio Chorus, Herbert Kegel's "Herbert Kegel - Kapellmeister-Edition, Vol. 1" album is number 9 out of 66. On top of that, Germany appears to be the country where this track was created. Pictures At an Exhibition: V. Ballet of the Unhatched Chicks - Orch. Ravel is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures At an Exhibition: V. Ballet of the Unhatched Chicks - Orch. Ravel by Maurice Ravel, Modest Mussorgsky, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
世界名曲:土耳其進行曲 | 蔡榮吉, 李淑雲, 吳爾笠 | B♭ Major | 4 | 6B | 118 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
Holberg Suite, Op. 40: III. Gavotte (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 0 | 9B | 84 BPM | ||
Die Puppenfee (The Fairy Doll): No. 8 Chinesin: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 92 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Waltz-scherzo (The Bolt) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 184 BPM | ||
Suite from Alice's Adventures in Wonderland: The Mad Hatter's Tea-Party | Joby Talbot, Christopher Austin, Royal Philharmonic Orchestra | E Major | 4 | 12B | 110 BPM | ||
Carnival of the Animals, R. 125: Introduction and Royal March of the Lion | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | G Major | 2 | 9B | 90 BPM | ||
Berceuse sur le nom de Gabriel Fauré | Maurice Ravel, Chantal Juillet, Pascal Rogé | C Major | 1 | 8B | 80 BPM | ||
Berlioz- Symphonie Fantastique: Symphonie Fantastique: IV. March to the Scaffold | Hector Berlioz, Budapest Philharmonic Orchestra, Rico Saccani | G Minor | 2 | 6A | 78 BPM |
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