John Dowland, Scott Tennant made "The Most Sacred Queen Elizabeth, her Galliard, P. 41" available on January 1, 1998. With The Most Sacred Queen Elizabeth, her Galliard, P. 41 being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Scott Tennant's "Guitar Recital: Tennant, Scott - Krouse, I. / York, A. / Bogdanovic, D. / Duarte, J. / Head, B. / Ruiz-Pipo, A. / Mompou, F. / Dowland, J." album is number 17 out of 23. In terms of popularity, The Most Sacred Queen Elizabeth, her Galliard, P. 41 is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of The Most Sacred Queen Elizabeth, her Galliard, P. 41 by John Dowland, Scott Tennant to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
The Battle of Harlaw | Ronn McFarlane | D♭ Major | 1 | 3B | 92 BPM | ||
Passe and Medio / Den iersten gaillarde | Tylman Susato, Capilla Flamenca | G Minor | 1 | 6A | 97 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
Terpsichore*: a. Volte b. Volte c. Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 2 | 9B | 105 BPM | ||
Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
Cléreau: Les Odes de Pierre de Ronsard à 3 parties: No. 9, La lune est coustumiere De naistre tous les mois | Pierre Clereau, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
La Canción del Emperador | Luis de Narváez, Dulces Exuviae, Bor Zuljan | F♯ Major | 1 | 2B | 75 BPM |
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