"Holst : Jupiter's Theme [from The Planets]" by Gustav Holst, Kalevi Kiviniemi was released on November 3, 1995. The duration of Holst : Jupiter's Theme [from The Planets] is about 3 minutes long, at 3:24. Based on our data, "Holst : Jupiter's Theme [from The Planets]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wedding Organ by Kalevi Kiviniemi. The song's track number on the album is #15 out of 21 tracks. Holst : Jupiter's Theme [from The Planets] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Holst : Jupiter's Theme [from The Planets] by Gustav Holst, Kalevi Kiviniemi has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Holst : Jupiter's Theme [from The Planets] being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Peer Gynt Suite No. 2, Op. 55: Solveig's Song | Jenő Hubay, Edvard Grieg, Nora Shulman, Judy Loman | A Minor | 1 | 8A | 99 BPM | ||
Violin Concerto In A Minor, Op. 3, No. 6, RV 356: III. Presto | Antonio Vivaldi, Virtuosi Di Kuhmo, Pekka Kuusisto | D♭ Major | 0 | 3B | 120 BPM | ||
Toccata on Amazing Grace | J. Christopher Pardini, Ken Mervine | A♭ Major | 1 | 4B | 86 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Symphony No. 5, Op. 42, No. 1: V. Toccata | Charles-Marie Widor, André Isoir | F Major | 3 | 7B | 115 BPM | ||
Air de trompette | Georg Philipp Telemann, John Roderick MacDonald, Martin Stephan | C Major | 2 | 8B | 94 BPM | ||
Prelude in Classic Style | Gordon Young, Jonathan Kingston | C Major | 1 | 8B | 101 BPM | ||
Gustav Adolf II, Op. 49: Elegy | Hugo Alfvén, Helsingborg Symphony Orchestra, Okko Kamu | F♯ Major | 0 | 2B | 60 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM |
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