"Vaughan Williams: The Lark Ascending" by Ralph Vaughan Williams, Bernard Haitink, Sarah Chang, London Philharmonic Orchestra was released on January 10, 1995. Vaughan Williams: The Lark Ascending appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Symphony No. 5, Norfolk Rhapsody No. 1 & The Lark Ascending by Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra. The song's track number on the album is #6 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Vaughan Williams: The Lark Ascending is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vaughan Williams: The Lark Ascending by Ralph Vaughan Williams, Bernard Haitink, Sarah Chang, London Philharmonic Orchestra has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vaughan Williams: The Lark Ascending being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The Swan of Tuonela, Op. 22 No. 2 | Jean Sibelius, Helsinki Philharmonic Orchestra, Leif Segerstam | A Minor | 0 | 8A | 91 BPM | ||
Farewell to Stromness | Peter Maxwell Davies, Katharine Durran | D Major | 0 | 10B | 104 BPM | ||
3 Small Tone Poems: No. 1. Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 90 BPM | ||
Rodeo: II. Corral Nocturne | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | C Major | 0 | 8B | 71 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Allegro | Antonio Vivaldi, Sarah Chang, Orpheus Chamber Orchestra | E Major | 1 | 12B | 83 BPM | ||
3 Winter Poems: No. 3. Serenade, "Snow Shower" | William Alwyn, The Bridge String Quartet | E Minor | 0 | 9A | 123 BPM | ||
Serenade in A Minor: IV. Romance - Andantino - Appassionato | Ralph Vaughan Williams, Royal Scottish National Orchestra, Martin Yates | F Major | 1 | 7B | 82 BPM | ||
Five Variants of ‘Dives and Lazarus’ | Ralph Vaughan Williams, Hallé, Sir Mark Elder | B Minor | 1 | 10A | 71 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato | Felix Mendelssohn, Bernard Haitink | E Minor | 2 | 9A | 96 BPM | ||
Bagatelle in A minor, WoO 59 -"Für Elise" | Ludwig van Beethoven, Alfred Brendel | A Minor | 0 | 8A | 130 BPM |
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