"Intermezzo From Cavalleria Rusticana (F7 Concert)" by Pietro Mascagni, Norsk Noteservice Wind Orchestra was released on November 7, 2007. The duration of Intermezzo From Cavalleria Rusticana (F7 Concert) is about 3 minutes long, at 3:03. Based on our data, "Intermezzo From Cavalleria Rusticana (F7 Concert)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vol. 9: King of the Road - Demo Tracks by Norsk Noteservice Wind Orchestra. The song's track number on the album is #11 out of 22 tracks. Intermezzo From Cavalleria Rusticana (F7 Concert) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Intermezzo From Cavalleria Rusticana (F7 Concert) by Pietro Mascagni, Norsk Noteservice Wind Orchestra has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Intermezzo From Cavalleria Rusticana (F7 Concert) being at 66 BPM, the half-time would be 33 BPM with a double-time of 132 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) | Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos | G Major | 1 | 9B | 69 BPM | ||
Cavalleria rusticana: Mamma, quel vino è generoso (Addio alla madre) | Pietro Mascagni, Magdalena Łukawska, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | E♭ Major | 2 | 5B | 79 BPM | ||
Rosa | Pietro Mascagni, Seby Burgio, Yuliya Vyshnyvetska | C Minor | 0 | 5A | 73 BPM | ||
Thaïs / Acte Deux: Méditation religieuse - Symphonie | Jules Massenet, Renaud Capuçon, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Gymnopédie No. 1 in D Major: Lent et douloureux | Erik Satie, Charles Gerhardt | G Major | 1 | 9B | 63 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM |
Section: 0.738243579864502
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