"Variazioni (attraverso i secoli...) , Op.71" by Kazuhito Yamashita was released on 2001. Since Variazioni (attraverso i secoli...) , Op.71 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kazuhito Yamashita's "Mario Castelnuovo-Tedesco / Works for Guitar Solo Vol.1" album is number 2 out of 8. In terms of popularity, Variazioni (attraverso i secoli...) , Op.71 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Variazioni (attraverso i secoli...) , Op.71 by Kazuhito Yamashita to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Caprices, Op. 1 (arr. for guitar): No. 24 in A Minor | Niccolò Paganini, Marco Tamayo | A Minor | 2 | 8A | 138 BPM | ||
Carcassi Op.60 N.8 Moderato | Matteo Carcassi, Lucio Matarazzo | E Major | 3 | 12B | 171 BPM | ||
36 Caprices, Op. 20: IV. Allegretto | Luigi Legnani, Pavel Steidl | E Major | 2 | 12B | 95 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): III. Sevilla (Sevillanas) | Jason Vieaux, Isaac Albéniz | G Major | 2 | 9B | 111 BPM | ||
Suite del Plata, No. 1: Tango | Maximo Diego Pujol, Victor Villadangos | C Major | 0 | 8B | 80 BPM | ||
Recife dos Corais | Sergio Assad, Marc Regnier, Marco Sartor | A Major | 1 | 11B | 100 BPM | ||
iii. Rondo mexicano | Mario Castelnuovo-Tedesco, Ida Presti, Alexandre Lagoya, Toronto Symphony, Walter Susskind | D♭ Minor | 1 | 12A | 153 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: Song without Words, Op. 30, No. 6, Venetian Boat Song II | Felix Mendelssohn, Gerald Garcia | D Minor | 0 | 7A | 67 BPM | ||
Bardenklänge, Op. 13: Unruhe (Restlessness) | Johann Kaspar Mertz, Johannes Möller, Laura Fraticelli | C Minor | 1 | 5A | 112 BPM | ||
Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM |
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