Luigi Legnani, Pavel Steidl's '36 Caprices, Op. 20: IV. Allegretto' came out on July 23, 1998. With 36 Caprices, Op. 20: IV. Allegretto being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Luigi Legnani's "Legnani: Fantasia, Op. 19 / 36 Caprices, Op. 20" album is number 5 out of 37. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, 36 Caprices, Op. 20: IV. Allegretto is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 36 Caprices, Op. 20: IV. Allegretto by Luigi Legnani, Pavel Steidl to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): III. Sevilla (Sevillanas) | Jason Vieaux, Isaac Albéniz | G Major | 2 | 9B | 111 BPM | ||
Bardenklänge, Op. 13: Gondoliera | Johann Kaspar Mertz, Pavel Steidl | F♯ Major | 2 | 2B | 130 BPM | ||
Prelude No 2 | Heitor Villa-Lobos, Marco Antonio Anguiano | E Minor | 1 | 9A | 77 BPM | ||
Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 1. Francisco Goya y Lucientes, Pintor (Francisco Goya y Lucientes, Painter) | Mario Castelnuovo-Tedesco, Zoran Dukic | A Minor | 1 | 8A | 108 BPM | ||
Suite Espanola (arr. for guitar) | Pepe Romero, Gaspar Sanz, Celedonio Romero | G Major | 1 | 9B | 103 BPM | ||
36 Caprices, Op. 20: VI. Maestoso | Luigi Legnani, Pavel Steidl | F Major | 1 | 7B | 119 BPM | ||
Sonata clasica: IV. Allegro: Rondo on a Theme by Sor | Manuel Ponce, Jason Vieaux | A Major | 2 | 11B | 126 BPM | ||
Romanza | Miguel Llobet Solés, Lorenzo Micheli | C Major | 0 | 8B | 109 BPM | ||
Guitar Sonatina, Op. 52, No. 1: I. Allegretto | Lennox Berkeley, Kyuhee Park | D Major | 1 | 10B | 117 BPM | ||
La Frontera de Dios: III. Idilio | Regino Sáinz de la Maza, Franz Halász | B Major | 1 | 1B | 110 BPM |
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