Florent Schmitt, Alain Raës's 'Little Musics, Op. 32: Little Musics, Op. 32: I. Entrée' came out on 1985. With Little Musics, Op. 32: Little Musics, Op. 32: I. Entrée being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Schmitt: Piano Musics". In this album, this song's track order is #19. Furthermore, we believe that the track originated from France. In terms of popularity, Little Musics, Op. 32: Little Musics, Op. 32: I. Entrée is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Little Musics, Op. 32: Little Musics, Op. 32: I. Entrée by Florent Schmitt, Alain Raës having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lincolnshire Posy (version for 2 pianos): IV. The Brisk Young Sailor | Percy Grainger, Clemens Rave, Caroline Weichert | A Minor | 1 | 8A | 140 BPM | ||
Aubade, FP 51a: VIII. Andante. Variation de Diane | Francis Poulenc, Ronald Corp, New London Orchestra, Julian Evans | E Major | 0 | 12B | 178 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
5 Pezzi facili: No. 5. Il soldatino | Nino Rota, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 101 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
10 Pieces, Op. 12: No. 7. Prelude | Sergei Prokofiev, Olli Mustonen | C Major | 1 | 8B | 77 BPM | ||
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | G Minor | 1 | 6A | 101 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM |
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