"Messe à trois voix égales: I. Kyrie" by Guy Ropartz, Ensemble Vocal de Lausanne, Michel Corboz was released on March 4, 2016. The duration of Messe à trois voix égales: I. Kyrie is about 3 minutes long, at 3:18. Based on our data, "Messe à trois voix égales: I. Kyrie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Schola Aeterna - Chants à la vierge". In this album, this song's track order is #14. Based on our statistics, Messe à trois voix égales: I. Kyrie's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messe à trois voix égales: I. Kyrie by Guy Ropartz, Ensemble Vocal de Lausanne, Michel Corboz having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelles, Op. 47, B. 79: No. 2, Tempo di minuetto. Grazioso | Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko Morooka | G Major | 1 | 9B | 116 BPM | ||
Musiques au jardin: V. Le Jardin au crépuscule... | Guy Ropartz, Stephane Lemelin | C Minor | 1 | 5A | 67 BPM | ||
Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
25 Études faciles et progressives, Op. 100: No. 9, La chasse | Friedrich Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 78 BPM | ||
Concert Suite from the opera 'The Golden Cockerel': I. Introduction and Dodon's sleep | Bournemouth Symphony Orchestra, Paavo Berglund | D♭ Major | 1 | 3B | 91 BPM | ||
3 Romances: Andante molto | Clara Schumann, Shirley Brill, Jonathan Aner | D♭ Major | 0 | 3B | 170 BPM | ||
Les Sylphides (orch. R. Douglas): I. Prelude (Op. 28, No. 7) | Frédéric Chopin, Roy Douglas, Berlin Radio Symphony Orchestra, Heinz Fricke | A Major | 0 | 11B | 99 BPM | ||
Menuet Sur Le Nom De Haydn | Maurice Ravel, André Laplante | G Major | 0 | 9B | 69 BPM | ||
Dans l’ombre de la montagne: I. Prelude | Guy Ropartz, Stephanie McCallum | B Minor | 0 | 10A | 89 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM |
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