Messe à trois voix égales: I. Kyrie
Guy Ropartz, Ensemble Vocal de Lausanne, Michel Corboz
Schola Aeterna - Chants à la vierge
3:18 March 4, 2016
BPM
133
Key
C Major
Camelot
8B

Embed

Share Link

Messe à trois voix égales: I. Kyrie - Guy Ropartz, Ensemble Vocal de Lausanne, Michel Corboz Information

Acousticness
96%
Danceability
18%
Energy
14%
Instrumentalness
94%
Liveness
10%
Loudness
66%
Speechiness
4%
Valence
3%
Popularity
Loudness
-20.349 dB

Summary

"Messe à trois voix égales: I. Kyrie" by Guy Ropartz, Ensemble Vocal de Lausanne, Michel Corboz was released on March 4, 2016. The duration of Messe à trois voix égales: I. Kyrie is about 3 minutes long, at 3:18. Based on our data, "Messe à trois voix égales: I. Kyrie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Schola Aeterna - Chants à la vierge". In this album, this song's track order is #14. Based on our statistics, Messe à trois voix égales: I. Kyrie's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messe à trois voix égales: I. Kyrie BPM

With Messe à trois voix égales: I. Kyrie by Guy Ropartz, Ensemble Vocal de Lausanne, Michel Corboz having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Messe à trois voix égales: I. Kyrie Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Bagatelles, Op. 47, B. 79: No. 2, Tempo di minuetto. Grazioso by Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko MorookaBagatelles, Op. 47, B. 79: No. 2, Tempo di minuetto. GraziosoAntonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko MorookaG Major19B116 BPM
Musiques au jardin: V. Le Jardin au crépuscule... by Guy Ropartz, Stephane LemelinMusiques au jardin: V. Le Jardin au crépuscule...Guy Ropartz, Stephane LemelinC Minor15A67 BPM
Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp by Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'AccordTristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina TrumppRichard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'AccordB Major21B85 BPM
25 Études faciles et progressives, Op. 100: No. 9, La chasse by Friedrich Burgmüller, The Gerst Ensemble25 Études faciles et progressives, Op. 100: No. 9, La chasseFriedrich Burgmüller, The Gerst EnsembleC Major08B78 BPM
Concert Suite from the opera 'The Golden Cockerel': I. Introduction and Dodon's sleep by Bournemouth Symphony Orchestra, Paavo BerglundConcert Suite from the opera 'The Golden Cockerel': I. Introduction and Dodon's sleepBournemouth Symphony Orchestra, Paavo BerglundD♭ Major13B91 BPM
3 Romances: Andante molto by Clara Schumann, Shirley Brill, Jonathan Aner3 Romances: Andante moltoClara Schumann, Shirley Brill, Jonathan AnerD♭ Major03B170 BPM
Les Sylphides (orch. R. Douglas): I. Prelude (Op. 28, No. 7) by Frédéric Chopin, Roy Douglas, Berlin Radio Symphony Orchestra, Heinz FrickeLes Sylphides (orch. R. Douglas): I. Prelude (Op. 28, No. 7)Frédéric Chopin, Roy Douglas, Berlin Radio Symphony Orchestra, Heinz FrickeA Major011B99 BPM
Menuet Sur Le Nom De Haydn by Maurice Ravel, André LaplanteMenuet Sur Le Nom De HaydnMaurice Ravel, André LaplanteG Major09B69 BPM
Dans l’ombre de la montagne: I. Prelude by Guy Ropartz, Stephanie McCallumDans l’ombre de la montagne: I. PreludeGuy Ropartz, Stephanie McCallumB Minor010A89 BPM
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato by Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz HolligerPelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderatoCharles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz HolligerG Major09B90 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.0731408596038818

End: 1.0770742893218994