"Recha, als Gott dich einst zur Tochter mir gegeben (Die Jüdin)" by Max Lorenz, Orchester Der Staatsoper Berlin was released on August 22, 2006. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Max Lorenz's "Max Lorenz - The complete Electrola Recordings" album is number 7 out of 33. Recha, als Gott dich einst zur Tochter mir gegeben (Die Jüdin) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Recha, als Gott dich einst zur Tochter mir gegeben (Die Jüdin) by Max Lorenz, Orchester Der Staatsoper Berlin to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Relâche, Pt. 2: No. 10, La femme rejoint son fauteuil | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Serenade | Andre Kostelanetz & His Orchestra, Andre Kostelanetz | B Major | 1 | 1B | 96 BPM | ||
Overture: May Night | Bournemouth Symphony Orchestra, Paavo Berglund | E Minor | 1 | 9A | 142 BPM | ||
Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | ||
There's No Business Like Show Business (From "Annie Get Your Gun") | Irving Berlin, Max Lorenz, Brenda Lewis, Eberhard Wächter, Wolfgang Zimmer, Grosses Wiener Rundfunkorchester, Anton Paulik | D Major | 4 | 10B | 149 BPM | ||
Die Walküre, WWV 86B (Excerpts): Winterstürme wichen dem Wonnemond | Richard Wagner, Max Lorenz, Deutsches Symphonie-Orchester Berlin, Arthur Rother | E Major | 2 | 12B | 175 BPM | ||
Four Last Songs, TrV 296: II. September | Richard Strauss, Asmik Grigorian, Mikko Franck, Orchestre Philharmonique de Radio France | E♭ Major | 0 | 5B | 69 BPM | ||
Un ballo in maschera: Overture | Giuseppe Verdi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | F Major | 0 | 7B | 49 BPM | ||
Dir töne Lob (Tannhäuser) | Max Lorenz, Orchester Der Staatsoper Berlin | D Major | 4 | 10B | 168 BPM | ||
Ein Schwert verhiess mir der Vater (Die Walküre) | Margarete Teschemacher, Staatskapelle Dresden, Kurt Böhme, Max Lorenz | C Major | 3 | 8B | 86 BPM |
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