Violin Sonata No. 2, BB 85, Sz. 76: II. Allegretto
Béla Bartók, James Ehnes, Andrew Armstrong
Bartók: Works for Violin and Piano, Vol. 1
11:36 January 1, 2012
BPM
142
Key
F Minor
Camelot
4A

Embed

Share Link

Violin Sonata No. 2, BB 85, Sz. 76: II. Allegretto - Béla Bartók, James Ehnes, Andrew Armstrong Information

Acousticness
98%
Danceability
41%
Energy
16%
Instrumentalness
49%
Liveness
11%
Loudness
63%
Speechiness
5%
Valence
16%
Popularity
Loudness
-22.334 dB

Summary

"Violin Sonata No. 2, BB 85, Sz. 76: II. Allegretto" by Béla Bartók, James Ehnes, Andrew Armstrong was released on January 1, 2012. Violin Sonata No. 2, BB 85, Sz. 76: II. Allegretto appears to be safe for all ages as it is not explicit. The song is number 5 out of 11 in Bartók: Works for Violin and Piano, Vol. 1 by Béla Bartók, James Ehnes, Andrew Armstrong. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Violin Sonata No. 2, BB 85, Sz. 76: II. Allegretto's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Violin Sonata No. 2, BB 85, Sz. 76: II. Allegretto BPM

The tempo marking of Violin Sonata No. 2, BB 85, Sz. 76: II. Allegretto by Béla Bartók, James Ehnes, Andrew Armstrong is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Violin Sonata No. 2, BB 85, Sz. 76: II. Allegretto Key

F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume by Robert Schumann, Kian Soltani, Aaron PilsanMyrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine BlumeRobert Schumann, Kian Soltani, Aaron PilsanF Major07B116 BPM
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova by François Couperin, Marina BaranovaTroisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina BaranovaFrançois Couperin, Marina BaranovaA♭ Major04B69 BPM
5 Dal (5 Songs), BB 71: No. 2. Nyar: Szomjasan vagyva (Summer: Lying and Longing) by Béla Bartók, Julia Hamari, Ilona Prunyi5 Dal (5 Songs), BB 71: No. 2. Nyar: Szomjasan vagyva (Summer: Lying and Longing)Béla Bartók, Julia Hamari, Ilona PrunyiG Minor36A121 BPM
2 Pictures, Op.10 (Sz. 46): 2. Dorftanz by Béla Bartók, Detroit Symphony Orchestra, Antal Doráti2 Pictures, Op.10 (Sz. 46): 2. DorftanzBéla Bartók, Detroit Symphony Orchestra, Antal DorátiD Major010B86 BPM
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento by Alexander Scriabin, Evgeny Zarafiants5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: LentoAlexander Scriabin, Evgeny ZarafiantsA Minor08A129 BPM
Suite pastorale: III. Sous-bois by Emmanuel Chabrier, Wiener Philharmoniker, John Eliot GardinerSuite pastorale: III. Sous-boisEmmanuel Chabrier, Wiener Philharmoniker, John Eliot GardinerG Major09B0 BPM
Nocturne No. 1 in E Flat Major, H.24 by John Field, Elizabeth Joy RoeNocturne No. 1 in E Flat Major, H.24John Field, Elizabeth Joy RoeE♭ Major05B75 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major by Johannes Brahms, Idil Biret16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat MajorJohannes Brahms, Idil BiretA♭ Minor31A111 BPM
Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 1, Caprice by Frederick Delius, Gerald Peregrine, Antony InghamCaprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 1, CapriceFrederick Delius, Gerald Peregrine, Antony InghamC Major08B127 BPM
Adagio in F, H.XVII No.9 by Franz Joseph Haydn, Alfred BrendelAdagio in F, H.XVII No.9Franz Joseph Haydn, Alfred BrendelF Major07B71 BPM
ISRC
GBLWD1200405
Label
L-M Records/RCA Records

Section: 0.6584610939025879

End: 0.6622006893157959