"Violin Sonata No. 2, BB 85, Sz. 76: II. Allegretto" by Béla Bartók, James Ehnes, Andrew Armstrong was released on January 1, 2012. Violin Sonata No. 2, BB 85, Sz. 76: II. Allegretto appears to be safe for all ages as it is not explicit. The song is number 5 out of 11 in Bartók: Works for Violin and Piano, Vol. 1 by Béla Bartók, James Ehnes, Andrew Armstrong. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Violin Sonata No. 2, BB 85, Sz. 76: II. Allegretto's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Violin Sonata No. 2, BB 85, Sz. 76: II. Allegretto by Béla Bartók, James Ehnes, Andrew Armstrong is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
5 Dal (5 Songs), BB 71: No. 2. Nyar: Szomjasan vagyva (Summer: Lying and Longing) | Béla Bartók, Julia Hamari, Ilona Prunyi | G Minor | 3 | 6A | 121 BPM | ||
2 Pictures, Op.10 (Sz. 46): 2. Dorftanz | Béla Bartók, Detroit Symphony Orchestra, Antal Doráti | D Major | 0 | 10B | 86 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 1, Caprice | Frederick Delius, Gerald Peregrine, Antony Ingham | C Major | 0 | 8B | 127 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |
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