Henry Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot's 'Sonata No. 3 in D Minor, Z. 792: II. Canzona. [Allegro] - Adagio' came out on January 11, 2019. The duration of Sonata No. 3 in D Minor, Z. 792: II. Canzona. [Allegro] - Adagio is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Sonata No. 3 in D Minor, Z. 792: II. Canzona. [Allegro] - Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 28 in Circa 1700: Purcell & his Generation by La Rêveuse, Benjamin Perrot, Florence Bolton. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Sonata No. 3 in D Minor, Z. 792: II. Canzona. [Allegro] - Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 3 in D Minor, Z. 792: II. Canzona. [Allegro] - Adagio by Henry Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Dido and Aeneas, Z. 626: When I Am Laid in Earth (Arr. Trovesi for Chamber Ensemble) | Henry Purcell, Gianluigi Trovesi, Stefano Montanari, Stefano Rossi, Claudio Andriani, Francesco Galligioni, Luca Bandini, Riccardo Balbinutti, Ivano Zanenghi | G Minor | 0 | 6A | 75 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM |
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