- BPM
- 86
- Key
- F Major
- Camelot
- 7B
Six Songs, Op. 17:2 Ständchen - Birgit Nilsson, Janos Solyom Information
- Acousticness
- 99%
- Danceability
- 47%
- Energy
- 10%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 72%
- Speechiness
- 5%
- Valence
- 34%
- Popularity
- 3%
- Loudness
- -17.088 dB
Summary
Birgit Nilsson, Janos Solyom's 'Six Songs, Op. 17:2 Ständchen' came out on July 5, 2011. The duration of Six Songs, Op. 17:2 Ständchen is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Six Songs, Op. 17:2 Ständchen's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Six Songs, Op. 17:2 Ständchen is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Six Songs, Op. 17:2 Ständchen BPM
The tempo marking of Six Songs, Op. 17:2 Ständchen by Birgit Nilsson, Janos Solyom is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Six Songs, Op. 17:2 Ständchen Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | |
 | Wagner: Tristan und Isolde, Act 2: "O sink hernieder, Nacht der Liebe" (Isolde, Tristan) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Siegfried Jerusalem, Waltraud Meier | A Major | 0 | 11B | 133 BPM | |
 | Die Frau ohne Schatten, Op.65, TrV 234 / Act 3: Schweigt doch, ihr Stimmen! - Live | Richard Strauss, Birgit Nilsson, Vienna State Opera Orchestra, Karl Böhm | F Minor | 1 | 4A | 82 BPM | |
 | Messa da Requiem: 2d. Liber scriptus | Giuseppe Verdi, Marilyn Horne, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F♯ Minor | 0 | 11A | 89 BPM | |
 | Vier Letzte Lieder (Four Last Songs), Av 150: Ii. September | Birgit Nilsson | F Major | 1 | 7B | 87 BPM | |
 | Salome, Op. 54 / Scene 3: "Zurück, Tochter Sodoms!" | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | A Minor | 0 | 8A | 92 BPM | |
| Seven Songs, Op 17:1 Sen Har Jag Ej Frågat Mera (Then I Questioned No Further) | Birgit Nilsson, Janos Solyom | F Major | 1 | 7B | 87 BPM | |
 | Turandot / Act 1: Ah! Per l'ultima volta! (Timur, Liù, Ping, Pang, Pong, Calaf, Coro) | Giacomo Puccini, Barbara Hendricks, Heinz Zednik, Plácido Domingo, Francisco Araiza, Ruggero Raimondi, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | E Major | 5 | 12B | 80 BPM | |
 | Oberon, J.306 / Act 1: "Eil, edler Held!" | Carl Maria von Weber, Birgit Nilsson, Julia Hamari, Bavarian Radio Symphony Orchestra, Rafael Kubelík | C Major | 1 | 8B | 76 BPM | |
 | Suor Angelica: Ah, son dannata! | Giacomo Puccini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | A Major | 1 | 11B | 109 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7279856204986572
End: 0.7319791316986084