Olivier Messiaen, Angela Hewitt, Valerie Hartmann-Claverie, Radion sinfoniaorkester, Hannu Lintu's 'Turangalîla-Symphonie: X. Final' came out on June 3, 2014. Since Turangalîla-Symphonie: X. Final is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Olivier Messiaen, Angela Hewitt, Valerie Hartmann-Claverie, Finnish Radio Symphony Orchestra, Hannu Lintu's "Messiaen: Turangalîla-Symphonie" album is number 10 out of 10. On top of that, Finland appears to be the country where this track was created. Turangalîla-Symphonie: X. Final is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalîla-Symphonie: X. Final by Olivier Messiaen, Angela Hewitt, Valerie Hartmann-Claverie, Radion sinfoniaorkester, Hannu Lintu to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | B♭ Major | 3 | 6B | 89 BPM | ||
Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
Turangalîla Symphonie: 5. Joie de sang des étoiles | Olivier Messiaen, Jean-Yves Thibaudet, Takashi Harada, Royal Concertgebouw Orchestra, Riccardo Chailly | D♭ Major | 7 | 3B | 128 BPM | ||
Sibelius: Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, Paavo Järvi, Jesper Harryson, Royal Stockholm Philharmonic Orchestra | E Minor | 1 | 9A | 88 BPM | ||
Turangalîla Symphonie: 8. Développement de l'amour | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | F♯ Major | 2 | 2B | 146 BPM | ||
Concerto for Orchestra, BB 123: V. Finale | Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis | E Major | 2 | 12B | 77 BPM | ||
Symphonie fantastique, Op. 14: Symphonie fantastique, Op. 14: V. Songe d'une nuit de sabbat | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | G Minor | 2 | 6A | 117 BPM | ||
Capriccio Espagnol, Op. 34: 1. Alborada | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 3 | 11B | 137 BPM |
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