"Quintet in E flat, Op. 87: 2. Menuetto e Trio" by Johann Nepomuk Hummel, Melos Ensemble was released on January 1, 1966. With this song being about 5 minutes long, at 5:22, "Quintet in E flat, Op. 87: 2. Menuetto e Trio" by Johann Nepomuk Hummel, Melos Ensemble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Nepomuk Hummel, Melos Ensemble's "Hummel: Septet; Quintet" album is number 6 out of 8. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Quintet in E flat, Op. 87: 2. Menuetto e Trio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quintet in E flat, Op. 87: 2. Menuetto e Trio by Johann Nepomuk Hummel, Melos Ensemble to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | E Major | 1 | 12B | 79 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | G Major | 1 | 9B | 142 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Torelli: Trumpet Concerto in D Major: III. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 111 BPM | ||
Sinfonia in B-Flat Major, Badley Bb1: III. Vivace | Leopold Hofmann, Northern Chamber Orchestra, Nicholas Ward | F Major | 1 | 7B | 130 BPM | ||
Piano Concerto in F Major, Op. posth. 1: III. Allegro con brio | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players | F Major | 0 | 7B | 108 BPM | ||
Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | C Major | 3 | 8B | 78 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Neruda: Trumpet Concerto In E Flat -I Allegro | Johann Baptist Georg Neruda, Tine Thing Helseth | E♭ Major | 1 | 5B | 102 BPM |
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