Jean-Philippe Rameau, Les Arts Florissants, William Christie made "Les Indes galantes, Prologue, Scène 5: Air pour les Amours" available on October 14, 1991. With Les Indes galantes, Prologue, Scène 5: Air pour les Amours being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 59 in the song's album "Rameau: Les Indes galantes". In this album, this song's track order is #12. Based on our statistics, Les Indes galantes, Prologue, Scène 5: Air pour les Amours's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Les Indes galantes, Prologue, Scène 5: Air pour les Amours by Jean-Philippe Rameau, Les Arts Florissants, William Christie having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jean-Joseph Mouret: "Entrée" Extrait De La Premiere Suite D'orchestre | Tafelmusik Baroque Orchestra | D♭ Major | 3 | 3B | 151 BPM | ||
Suite in D Major: IV. The Prince of Denmark's March, "Trumpet Voluntary": III. Sybelle | Jeremiah Clarke, Reinhold Friedrich, Berlin Baroque Compagney | D♭ Major | 2 | 3B | 103 BPM | ||
Les Indes galantes, Prologue, Scène 2: Entrée des 4 nations | Jean-Philippe Rameau, Les Arts Florissants, William Christie | E♭ Minor | 0 | 2A | 169 BPM | ||
Trio Sonata in A Major, Op. 1, No. 9, RV 75: IV. Corrente (Presto) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | F♯ Minor | 1 | 11A | 79 BPM | ||
Sonata VII A Cinque In A Major: Adagio, Allegro, Allegro, Allegio, Adagio, Allegro, Adagio (Schmelzer) | Johann Heinrich Schelmzer, Masques, Olivier Fortin | A♭ Major | 1 | 4B | 112 BPM | ||
Te Deum, H. 146: X. In te Domine speravi | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, Jean-Paul Fouchécourt, Gilles Ragon, Bernard Deletré, William Christie | D♭ Major | 3 | 3B | 97 BPM | ||
Anacréon - original version / Scene 1: "Règne, ô divin Bacchus!" - "Que le transport de ton ivresse" (Anacréon) | Jean-Philippe Rameau, Thierry Felix, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre | E♭ Major | 1 | 5B | 106 BPM | ||
Suite in D Major, Op. 2, No. 1: I. Prelude | Jacques Hotteterre, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | C Major | 1 | 8B | 84 BPM | ||
Dido and Aeneas / Act I: The Triumphing Dance | Henry Purcell, The English Concert, Trevor Pinnock | B Major | 2 | 1B | 137 BPM | ||
Sinfonia da camera in G Minor, Op. 2 No. 3: IV. Allegro | Nicola Porpora, London Baroque | E Major | 1 | 12B | 106 BPM |
Section: 0.5726456642150879
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