Giuseppe Verdi, Quatuor Zaïde's 'I masnadieri: Prélude (Arr. for String Quartet by Eric Mouret)' came out on January 21, 2022. The duration of I masnadieri: Prélude (Arr. for String Quartet by Eric Mouret) is about 3 minutes long, at 3:05. Based on our data, "I masnadieri: Prélude (Arr. for String Quartet by Eric Mouret)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "No(s) Dames". In this album, this song's track order is #8. Furthermore, we believe that the track originated from France. Based on our statistics, I masnadieri: Prélude (Arr. for String Quartet by Eric Mouret)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I masnadieri: Prélude (Arr. for String Quartet by Eric Mouret) by Giuseppe Verdi, Quatuor Zaïde having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto - Bella Figlia Dell'Amore | Luciano Pavarotti, Adriana Lazzarini, Piero Cappuccilli, Margherita Rinaldi | D♭ Major | 2 | 3B | 61 BPM | ||
Verdi: La traviata, Act 1: "Sempre libera" (Violetta, Alfredo) | Giuseppe Verdi, Riccardo Muti, Philharmonia Orchestra | A♭ Major | 1 | 4B | 85 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mamma" | Pietro Mascagni, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | E Minor | 2 | 9A | 168 BPM | ||
Ernani / Part 1: "Dell'esilio nel dolore" | Giuseppe Verdi, Luciano Pavarotti, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | D Major | 2 | 10B | 84 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | B Minor | 2 | 10A | 90 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
La Traviata / Act 1: Un dì felice, eterea | Giuseppe Verdi, Jean-Francois Borras, Nathalie Manfrino, Samuel Jean, Orchestre National Avignon-Provence | C Major | 4 | 8B | 70 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM |
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