"Tallis: Ave, Dei Patris Filia - 6. Ave, Plena Gratia Poli Regina" by The Tallis Scholars, Peter Phillips was released on April 1, 2004. The duration of Tallis: Ave, Dei Patris Filia - 6. Ave, Plena Gratia Poli Regina is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Tallis: Ave, Dei Patris Filia - 6. Ave, Plena Gratia Poli Regina's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 74 in the song's album "Spem in Alium - The Tallis Scholars Sing Thomas Tallis (With 3 Bonus Tracks)". In this album, this song's track order is #72. Furthermore, we believe that the track originated from United Kingdom. Tallis: Ave, Dei Patris Filia - 6. Ave, Plena Gratia Poli Regina is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tallis: Ave, Dei Patris Filia - 6. Ave, Plena Gratia Poli Regina by The Tallis Scholars, Peter Phillips having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viderunt omnes No. 1: ...Dominus... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 128 BPM | ||
Burial Sentences: I. I Am The Resurrection | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | D Minor | 1 | 7A | 75 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Nuper rosarum flores | Guillaume Dufay, Pomerium, Alexander Blachly | D Minor | 1 | 7A | 71 BPM | ||
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM | ||
Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Vidi Aquam | The Concordia Choir | A♭ Minor | 0 | 1A | 81 BPM | ||
Taverner: Western Wind Mass - 1d. Domine Deus, Agnus Dei | John Taverner, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 105 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM |
Section: 0.6833674907684326
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