Johannes Brahms, のだめカンタービレ's 'ブラームス:ヴァイオリン協奏曲ニ長調作品77より 第3楽章' came out on December 9, 2009. Since ブラームス:ヴァイオリン協奏曲ニ長調作品77より 第3楽章 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in のだめカンタービレ 最終楽章, so we believe that "ブラームス:ヴァイオリン協奏曲ニ長調作品77より 第3楽章" is a single. The popularity of ブラームス:ヴァイオリン協奏曲ニ長調作品77より 第3楽章 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ブラームス:ヴァイオリン協奏曲ニ長調作品77より 第3楽章 by Johannes Brahms, のだめカンタービレ is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
白鳥(サン=サーンス) | Camille Saint-Saëns, Yoko Hasegawa | D Minor | 4 | 7A | 149 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. moderato | Sergei Rachmaninoff, Kyohei Sorita, Andrea Battistoni, RAI National Symphony Orchestra | C Minor | 1 | 5A | 89 BPM | ||
ウィナー: 茶色の小瓶 - ピアノソロ・バージョン | Kai Ichinose | C Major | 1 | 8B | 85 BPM | ||
美しきロスマリン | Fritz Kreisler, Mie Kobayashi, 上田晴子 | G Major | 1 | 9B | 81 BPM | ||
チゴイネルワイゼン | Pablo de Sarasate, Ida Haendel, アルフレード・ホレチェク | C Minor | 2 | 5A | 105 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 3 in F Major | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | F Major | 1 | 7B | 83 BPM | ||
Offenbach: 天国と地獄 | Cremieux & Halevy, ジャック・オッフェンバック, ウィリアム・ジョーンズ, コンセル・ソンドール | D Major | 4 | 10B | 158 BPM | ||
夢のあとに Op.7-1(フォーレ) | Gabriel Fauré, Yoko Hasegawa | F Minor | 1 | 4A | 88 BPM | ||
Hungarian Dance No.17 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 1 | 11A | 141 BPM |
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