Orquesta de Cámara de Munich, Hermann Kienzl's 'Serenata No. 13 para cuerdas in G Major, K. 525 " Eine Kleine Nachtmusik " : I. Allegro' came out on March 22, 1980. Since Serenata No. 13 para cuerdas in G Major, K. 525 " Eine Kleine Nachtmusik " : I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Orquesta de Cámara de Munich, Hermann Kienzl's "Mozart: Serenata No. 13 & No. 29" album is number 1 out of 8. On top of that, Spain appears to be the country where this track was created. Based on our statistics, Serenata No. 13 para cuerdas in G Major, K. 525 " Eine Kleine Nachtmusik " : I. Allegro's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Serenata No. 13 para cuerdas in G Major, K. 525 " Eine Kleine Nachtmusik " : I. Allegro by Orquesta de Cámara de Munich, Hermann Kienzl to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: 12 Variations on "Ah vous dirai-je maman," K.265 | John Novacek | C Major | 1 | 8B | 76 BPM | ||
Concertino in E flat, J109 (Op. 26): I: Adagio ma non troppo - | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | C Major | 1 | 8B | 174 BPM | ||
Piano Sonatina in G Major, Anh. 5, No. 1: I. Moderato | Ludwig van Beethoven, Jenő Jandó | A Minor | 1 | 8A | 106 BPM | ||
브람스 : Waltz In A-Flat Major | Five Sense | A♭ Major | 1 | 4B | 92 BPM | ||
Ständchen, D. 957, No. 4 | Franz Schubert, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | D Major | 2 | 10B | 94 BPM | ||
Seitz: Student Concerto No. 2 in G Major, Op. 13: III. Allegretto moderato | Friedrich Seitz, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | G Major | 1 | 9B | 135 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, MS. 48: 3. La Campanella | Niccolò Paganini, Ruggiero Ricci, Louis Persinger | B Minor | 2 | 10A | 120 BPM | ||
L'arabesque | Diane Hidy & Keith Snell | A Minor | 2 | 8A | 68 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM |
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