"6 Romances, Op. 28, No. 3. Why Did I Dream of You? - No. 6. The Fearful Moment: Why Did I Dream of You?, Op. 28 No. 3 (Arr. P. Breiner for violin and for orchestra)" by Pyotr Ilyich Tchaikovsky, Takako Nishizaki, Queensland Orchestra, Peter Breiner was released on December 31, 1997. The duration of 6 Romances, Op. 28, No. 3. Why Did I Dream of You? - No. 6. The Fearful Moment: Why Did I Dream of You?, Op. 28 No. 3 (Arr. P. Breiner for violin and for orchestra) is about 3 minutes long, at 3:04. Based on our data, "6 Romances, Op. 28, No. 3. Why Did I Dream of You? - No. 6. The Fearful Moment: Why Did I Dream of You?, Op. 28 No. 3 (Arr. P. Breiner for violin and for orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Tchaikovsky: None But the Lonely Heart". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. The popularity of 6 Romances, Op. 28, No. 3. Why Did I Dream of You? - No. 6. The Fearful Moment: Why Did I Dream of You?, Op. 28 No. 3 (Arr. P. Breiner for violin and for orchestra) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Romances, Op. 28, No. 3. Why Did I Dream of You? - No. 6. The Fearful Moment: Why Did I Dream of You?, Op. 28 No. 3 (Arr. P. Breiner for violin and for orchestra) by Pyotr Ilyich Tchaikovsky, Takako Nishizaki, Queensland Orchestra, Peter Breiner having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
La Princesse lontaine - Prelude | Nikolai Tcherepnin, Russian National Orchestra, Mikhail Pletnev | A Major | 0 | 11B | 69 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | D Major | 1 | 10B | 72 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
The Four Seasons - Summer in G Minor, RV. 315: I. Allegro non molto – Allegro | Antonio Vivaldi, Adrian Chandler, La Serenissima | G Minor | 2 | 6A | 147 BPM |
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