Violin Sonata No. 1 in A Minor, Op. 105 (arr. T. Zimmermann and H. Holl): III. Lebhaft - Tabea Zimmermann, Robert Schumann, Hartmut Höll Information

Acousticness: 98%
Danceability: 46%
Energy: 32%
Instrumentalness: 87%
Liveness: 18%
Loudness: 74%
Speechiness: 5%
Valence: 72%
Popularity: 2%
Loudness: -15.454 dB

Summary

Tabea Zimmermann, Robert Schumann, Hartmut Höll made "Violin Sonata No. 1 in A Minor, Op. 105 (arr. T. Zimmermann and H. Holl): III. Lebhaft" available on January 1, 2004. With this song being about 5 minutes long, at 4:50, "Violin Sonata No. 1 in A Minor, Op. 105 (arr. T. Zimmermann and H. Holl): III. Lebhaft" by Tabea Zimmermann, Robert Schumann, Hartmut Höll is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Schumann, R.: Adagio and Allegro / Fantasiestucke / 3 Romanzen / Violin Sonata No. 1 / Marchenbilder". In this album, this song's track order is #10. Based on our statistics, Violin Sonata No. 1 in A Minor, Op. 105 (arr. T. Zimmermann and H. Holl): III. Lebhaft's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Violin Sonata No. 1 in A Minor, Op. 105 (arr. T. Zimmermann and H. Holl): III. Lebhaft BPM

With Violin Sonata No. 1 in A Minor, Op. 105 (arr. T. Zimmermann and H. Holl): III. Lebhaft by Tabea Zimmermann, Robert Schumann, Hartmut Höll having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Violin Sonata No. 1 in A Minor, Op. 105 (arr. T. Zimmermann and H. Holl): III. Lebhaft Key

This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Waltz in F Minor	Vladimir Horowitz, Valery Kuleshov	B♭ Minor	0	3A	75 BPM
Morgen, Op. 27 No. 4 (Arr. Reger for Piano)	Richard Strauss, Angela Hewitt	A Major	2	11B	143 BPM
6 Impromptus, Op. 5: Impromptu V	Jean Sibelius, Leif Ove Andsnes	B Minor	0	10A	72 BPM
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante	Ludwig van Beethoven, Mischa Maisky, Martha Argerich	C Major	0	8B	66 BPM
Schumann: Märchenbilder, Op. 113: II. Lebhaft	Robert Schumann, Tabea Zimmermann	A Minor	0	8A	63 BPM
Winterreise, Op. 89, D. 911: No. 5, Der Lindenbaum (Arr. T. Zimmermann and H. Holl)	Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll	D Major	2	10B	93 BPM
Sonata No. 4 In E Minor, BWV 528: 1. Adagio - Vivace	Johann Sebastian Bach, Heinz Holliger, Tabea Zimmermann, Christiane Jaccottet, Thomas Demenga	G Major	3	9B	96 BPM
Lyric Pieces Book I, Op. 12: No. 1 Arietta	Edvard Grieg, Emil Gilels	E♭ Major	0	5B	130 BPM
Schnittke: Viola Concerto: II. Allegro molto	Alfred Schnittke, Tabea Zimmermann, David Shallon, Jerusalem Symphony Orchestra	D Major	1	10B	84 BPM
Five pieces for Two Violins and Piano: I. Prelude- Moderato	Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw	B Minor	0	10A	82 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7370181083679199

End: 0.7414801120758057