"Nipponari, H. 68 "Japanese Folk Songs": No. 3, Vzpomínka" by Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle was released on June 7, 2024. The duration of Nipponari, H. 68 "Japanese Folk Songs": No. 3, Vzpomínka is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Nipponari, H. 68 "Japanese Folk Songs": No. 3, Vzpomínka's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 26 in Czech Songs by Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Nipponari, H. 68 "Japanese Folk Songs": No. 3, Vzpomínka is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nipponari, H. 68 "Japanese Folk Songs": No. 3, Vzpomínka by Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dhabitude | Fanny Hearst | G Major | 1 | 9B | 70 BPM | ||
The Bartered Bride, JB 1:100, Act I, Scene 1: Let Us Rejoice, Let´s Be Merry | Bedřich Smetana, Czech Philharmonic Orchestra, Prague Philharmonic Choir, Zdeněk Košler, Josef Veselka | G Major | 1 | 9B | 84 BPM | ||
Requiem Canticles: II. Exaudi | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir | G Minor | 0 | 6A | 140 BPM | ||
Seven Sonnets of Michelangelo, Op 22: No. 1, Sonnet XVI | Benjamin Britten, Robin Tritschler, Malcolm Martineau | E Minor | 1 | 9A | 118 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Stabat Mater, FP 148: III. O quam tristis | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | F♯ Major | 0 | 2B | 91 BPM | ||
Tenebrae Responsories - Matins Responsories for Good Friday: Nocturn II - Tamquam ad latronem | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Miserere: II. Amplius lavame ; Quoniam iniquitatem meam - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | E Minor | 0 | 9A | 69 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 2, In Schwebe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Sancte Michael | Timothy A. Helisek, Moscow Bow Tie Choir, Vladimir Podgoretsky | C Minor | 1 | 5A | 87 BPM |
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