Pablo de Sarasate, Maxim Vengerov, Ian Brown's 'Sarasate: Introduction & Tarantelle, Op. 43' came out on November 1, 2004. With this song being about 5 minutes long, at 5:21, "Sarasate: Introduction & Tarantelle, Op. 43" by Pablo de Sarasate, Maxim Vengerov, Ian Brown is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 12 in Encores by Maxim Vengerov. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Sarasate: Introduction & Tarantelle, Op. 43 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sarasate: Introduction & Tarantelle, Op. 43 by Pablo de Sarasate, Maxim Vengerov, Ian Brown is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | ||
Divertimento in D Major, K. 136, "Salzburg Symphony No. 1": I. Allegro | Wolfgang Amadeus Mozart, Munich Radio Orchestra, Ulf Schirmer | D Major | 2 | 10B | 137 BPM | ||
The Last Rose of Summer "Étude No. 6" | Heinrich Wilhelm Ernst, Midori | G Major | 0 | 9B | 98 BPM | ||
Violin Concerto No. 1 in A Minor, BWV 1041: III. Allegro assai | Johann Sebastian Bach, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | A Minor | 3 | 8A | 135 BPM | ||
Guitarre, Op. 45 No. 2 | Moritz Moszkowski, Mela Tenenbaum, Anton Nel | G Major | 1 | 9B | 123 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Piano Quartet in E Flat, Op. 47: 3. Andante cantabile | Robert Schumann, Menahem Pressler, Emerson String Quartet | B♭ Major | 0 | 6B | 104 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Cello Concerto in E Minor, RV 409: III. Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | E Minor | 1 | 9A | 142 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Major | 3 | 6B | 144 BPM |
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