"Liturgical Chants: 5. Four Spiritual Songs: Alleluia" by Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych, Victoria Zabolotska, Tetiana Havrylenko was released on 2007. With Liturgical Chants: 5. Four Spiritual Songs: Alleluia being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Valentin Silvestrov: Sacred Works by Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych. The song's track number on the album is #5 out of 23 tracks. Based on our data, Germany was the country where this track was produced or recorded. The popularity of Liturgical Chants: 5. Four Spiritual Songs: Alleluia is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Liturgical Chants: 5. Four Spiritual Songs: Alleluia by Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych, Victoria Zabolotska, Tetiana Havrylenko has a tempo of 169 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Liturgical Chants: 5. Four Spiritual Songs: Alleluia being at 169 BPM, the half-time would be 84 BPM with a double-time of 338 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
The music key of this track is E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abendserenade | Valentin Silvestrov, Anastasia Kobekina | F♯ Major | 2 | 2B | 142 BPM | ||
String Quartet No. 1 in D Minor: III. Adagio | Nancy Dalberg, Nordic String Quartet, Heiðrun Petersen, Mads Haugsted Hansen, Daniel Eklund, Lea Emilie Brøndal | G Minor | 0 | 6A | 104 BPM | ||
Two Dialogues with Postscript: I. Wedding Waltz | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | D♭ Minor | 1 | 12A | 164 BPM | ||
Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa | Wolfgang Amadeus Mozart, Pierre Génisson, Bruno Fontaine | D Minor | 0 | 7A | 121 BPM | ||
Nightsong | Gabríel Ólafs | C Major | 0 | 8B | 136 BPM | ||
Herr Jesu Christ, Meins Lebens Licht, Chorale Setting For 4 Voices, Bwv 335 (Bc F170): Herr Jesu Christ, Mein's Lebens Licht, Bwv 335 (Arr. By Chad Lawson For Piano) | Chad Lawson | B Minor | 0 | 10A | 134 BPM | ||
Siete canciones populares españolas: No. 5 Nana | Manuel de Falla, Amy Dickson | A Major | 0 | 11B | 69 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Suite compostelana: II. Coral | Federico Mompou, Krzysztof Meisinger | F♯ Minor | 0 | 11A | 75 BPM | ||
Passage | Joep Beving | G Major | 0 | 9B | 60 BPM |
Section: 0.672802209854126
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