"Concerto de Aranjuez: II. Adagio" by Joaquín Rodrigo, Orquesta Nacional De España, Ataúlfo Argenta, Narciso Yepes was released on July 5, 2019. Since Concerto de Aranjuez: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 4 in Concerto de Aranjuez (Edition du 20ème anniversaire) by Joaquín Rodrigo, Narciso Yepes, Ataúlfo Argenta, Orquesta Nacional De España. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Concerto de Aranjuez: II. Adagio is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto de Aranjuez: II. Adagio by Joaquín Rodrigo, Orquesta Nacional De España, Ataúlfo Argenta, Narciso Yepes is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chiquilin de Bachin (The Little Beggar Boy) (arr. J. Lenehan for 2 cellos and piano) | John Lenehan, Astor Piazzolla, Julian Lloyd Webber, Jiaxin Lloyd Webber | A Minor | 1 | 8A | 98 BPM | ||
Mozart: Concerto for Flute and Harp, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Emmanuel Pahud, Anneleen Lenaerts, François Leleux, Orchestre de chambre de Paris | F Major | 1 | 7B | 99 BPM | ||
Les baricades mystérieuses - Arranged By Göran Söllscher | François Couperin, Göran Söllscher | B♭ Major | 1 | 6B | 138 BPM | ||
Hungarian Dance No.5 in G Minor, WoO 1 No.5 (Arr. For Violin) | Johannes Brahms, Lakatos | G Minor | 3 | 6A | 93 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Czardas | Caroline Campbell | D Major | 3 | 10B | 159 BPM | ||
Concierto andaluz: Tempo di bolero | Joaquín Rodrigo, Ricardo Gallén, Asturias Symphony Orchestra, Maximiano Valdes | E♭ Major | 2 | 5B | 71 BPM | ||
Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano) | Edward Elgar, Edgar Moreau, Pierre-Yves Hodique | D Major | 1 | 10B | 83 BPM | ||
Variations sur “Jeux interdits” | Alexandre Lagoya, Orchestre De La Camerata De France, Daniel Tosi | E Major | 2 | 12B | 123 BPM | ||
Adagio En Sol Mineur | Academy of St. Martin in the Fields, Iona Brown | C Minor | 2 | 5A | 74 BPM |
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