Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov's 'Don Quixote: Act I: Their Friends' came out on January 1, 1995. The duration of Don Quixote: Act I: Their Friends is about 3 minutes long, at 3:26. Based on our data, "Don Quixote: Act I: Their Friends" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov's "Minkus, L.: Don Quixote [Ballet]" album is number 20 out of 56. Don Quixote: Act I: Their Friends is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Quixote: Act I: Their Friends by Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in A Major, Op. 90 "Italian": III. Con moto moderato | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 131 BPM | ||
Giselle: Act II: Adagio | Adolphe Adam, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 0 | 5B | 76 BPM | ||
Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Major | 1 | 10B | 100 BPM | ||
Espada Suite: II. Boléro | Jules Massenet, Royal Scottish National Orchestra, Jean-Luc Tingaud | E Minor | 2 | 9A | 133 BPM | ||
La Bayadere, Act I, Scene 2: 14. "Ankle Scarf Dance and Coda" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 1 | 11B | 101 BPM | ||
Danza Cinese | Orchestra Italiana | B♭ Major | 2 | 6B | 112 BPM | ||
Ivan Susanin: Waltz | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | A Major | 0 | 11B | 185 BPM | ||
The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation V. Violente (Fairy of the Golden Vine) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | F Major | 1 | 7B | 133 BPM | ||
Don Quixote: Act II: Sola a gitana | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Minor | 1 | 8A | 98 BPM | ||
Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM |
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