- BPM
- 61
- Key
- E Minor
- Camelot
- 9A
Vocalise, Op. 34, No. 14 - Sergei Rachmaninoff, Jascha Heifetz Information
- Acousticness
- 99%
- Danceability
- 12%
- Energy
- 21%
- Instrumentalness
- 69%
- Liveness
- 19%
- Loudness
- 72%
- Speechiness
- 5%
- Valence
- 11%
- Popularity
- 10%
- Loudness
- -16.935 dB
Summary
"Vocalise, Op. 34, No. 14" by Sergei Rachmaninoff, Jascha Heifetz was released on 1971. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jascha Heifetz's "Heifetz: Encores" album is number 10 out of 14. Vocalise, Op. 34, No. 14 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Vocalise, Op. 34, No. 14 BPM
We consider the tempo marking of Vocalise, Op. 34, No. 14 by Sergei Rachmaninoff, Jascha Heifetz to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Vocalise, Op. 34, No. 14 Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Kolokola (The Bells), Op. 35: I. Allegro, ma non tanto | Sergei Rachmaninoff, Oleg Melnikov, RTÉ Philharmonic Choir, Helen Field, Ivan Choupenitch, RTÉ National Symphony Orchestra | D♭ Major | 1 | 3B | 123 BPM | |
 | Concerto in D Minor for Two Violins, BWV 1043: Largo ma non tanto | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | |
 | 7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): El Pano moruno | Paul Kochanski, Manuel de Falla, Robert Koenig, Si-Qing Lu | B Minor | 1 | 10A | 119 BPM | |
 | 3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | |
 | Paganini: I palpiti, Op. 13, MS 77 | Niccolò Paganini, Vilde Frang, Michail Lifits | A Major | 0 | 11B | 84 BPM | |
 | Sonata No. 1, Op. 13, in A: Allegro molto | Gabriel Fauré, Jascha Heifetz, Brooks Smith | A Major | 1 | 11B | 134 BPM | |
 | Piano Concerto No.1 in F Sharp Minor, Op.1: 2. Andante | Sergei Rachmaninoff, Vladimir Ashkenazy, Concertgebouworkest, Bernard Haitink | A Major | 0 | 11B | 69 BPM | |
 | Cello Concerto in C Minor (spuriously attrib. to Johann Christian Bach): II. Adagio molto espressivo | Henri Casadesus, Yuli Turovsky, I Musici de Montréal | A♭ Major | 0 | 4B | 92 BPM | |
 | Cello Concerto in D Minor: 2. Intermezzo: Andantino con moto - Allegro presto | Édouard Lalo, Pierre Fournier, Orchestre Lamoureux, Jean Martinon | G Major | 1 | 9B | 85 BPM | |
 | Violin Concerto in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Jascha Heifetz, Charles Münch | A Minor | 2 | 8A | 113 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6067593097686768
End: 0.6116743087768555