Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants's 'Mondonville : Dominus regnavit : VI' came out on October 28, 1997. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jean-Joseph Cassanéa De Mondonville, William Christie's "Mondonville : Grands Motets" album is number 6 out of 21. On top of that, France appears to be the country where this track was created. In terms of popularity, Mondonville : Dominus regnavit : VI is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mondonville : Dominus regnavit : VI by Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il pianto d'Arianna in E-Flat Major, Op. 7 No.6: X. Largo | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | D Minor | 0 | 7A | 97 BPM | ||
Dixit Dominus, RV 595: Donec ponam inimicos tuos: Andante | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D Major | 3 | 10B | 132 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Zaïde, reine de Grenade: Air pour les Turcs en rondeau | Joseph-Nicolas-Pancrace Royer, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 0 | 2B | 141 BPM | ||
Issé: Issé, Prologue: Menuets | Andre Cardinal Destouches, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D♭ Major | 2 | 3B | 103 BPM | ||
In solitare arene: "Lo strale di Cupido" | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Stabat Mater, P. 77: IV. Quae moerebat | Giovanni Battista Pergolesi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Symphony in F Major: II. Andante - III. Presto | Giovanni Battista Pergolesi, Dorothee Oberlinger, Ensemble 1700 | E Major | 1 | 12B | 182 BPM | ||
Concerto à più istrumenti, Op. 6, Concerto No. 5 in G Major: I. Allegro e vivace asai | Evaristo Felice Dall'Abaco, Davide Monti, Accademia Strumentale Italiana, Alberto Rasi | F♯ Minor | 1 | 11A | 94 BPM |
Section: 0.6069035530090332
End: 0.6102964878082275