"Six Shades of Bach, Suite 1, Köthen: V. Minuet I/II (After J.S. Bach's BWV 1007)" by Johann Sebastian Bach, Max Lilja was released on May 3, 2024. With Six Shades of Bach, Suite 1, Köthen: V. Minuet I/II (After J.S. Bach's BWV 1007) being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Six Shades of Bach". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Six Shades of Bach, Suite 1, Köthen: V. Minuet I/II (After J.S. Bach's BWV 1007)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Six Shades of Bach, Suite 1, Köthen: V. Minuet I/II (After J.S. Bach's BWV 1007) by Johann Sebastian Bach, Max Lilja having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Conversation with J.S.: V | Eivind Buene, Ernst Simon Glaser | B Major | 1 | 1B | 92 BPM | ||
Branching Soul Starlit Gleam | Adán Ramírez | G Major | 1 | 9B | 91 BPM | ||
Cello Interlude II | Lauri Porra, Markus Hohti | A Minor | 2 | 8A | 84 BPM | ||
Lamento No. 6 | João Marcondes | E♭ Major | 1 | 5B | 82 BPM | ||
Seven Songs: 6. Nobile | Komitas, Lusine Grigoryan | D♭ Major | 0 | 3B | 0 BPM | ||
La Suave Melodia | Andrea Falconieri, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: XVIII. Adagio | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E♭ Major | 0 | 5B | 99 BPM | ||
Welltempered Clarinet | Uli Doenitz | G Minor | 0 | 6A | 127 BPM | ||
Sonata in A Minor: II. Un poco allegretto | Henriëtte Bosmans, Molly Gebrian, Danny Holt | F♯ Minor | 4 | 11A | 119 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM |
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