"King Lear Op. 58a - 1941 Production: Prelude and Cordelia's ballad" by City Of Birmingham Symphony Orchestra, Sir Mark Elder was released on June 28, 2005. With this song being about 5 minutes long, at 4:43, "King Lear Op. 58a - 1941 Production: Prelude and Cordelia's ballad" by City Of Birmingham Symphony Orchestra, Sir Mark Elder is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #33. King Lear Op. 58a - 1941 Production: Prelude and Cordelia's ballad is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With King Lear Op. 58a - 1941 Production: Prelude and Cordelia's ballad by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Variation H (Cominciando lento ma poco a poco accelerando al Allegro) | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | E♭ Major | 1 | 5B | 116 BPM | ||
Romance for Viola & Orchestra in F Major, Op. 85 | Max Bruch, Yuri Bashmet, Neeme Järvi | F Major | 0 | 7B | 105 BPM | ||
Symphony No. 3 in B Minor, Op. 45: I. Allegro | Mieczysław Weinberg, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 3 | 8A | 98 BPM | ||
Requiem, Op. 63: Va. Offertorium: Domine Jesu Christe – | Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | C Major | 2 | 8B | 67 BPM | ||
Offenbach: La Vie parisienne: Overture | Jacques Offenbach, Louis Frémaux, City Of Birmingham Symphony Orchestra | G Minor | 1 | 6A | 171 BPM | ||
Serenade for Strings in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | D Major | 2 | 10B | 93 BPM | ||
Cello Concerto No.1 in E Flat Major, Op.107: 4. Allegro con moto - Live | Dmitri Shostakovich, Sheku Kanneh-Mason, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla | A♭ Major | 4 | 4B | 128 BPM | ||
Requiem, Op. 63: VIIa. Agnus Dei – | Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | B♭ Major | 1 | 6B | 80 BPM | ||
Piano Concerto in C Major, BV 247: IV. All'Italiana. Tarantella. Vivace – In un tempo | Ferruccio Busoni, Sir Mark Elder, Marc-André Hamelin, City Of Birmingham Symphony Orchestra | C Major | 3 | 8B | 83 BPM |
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