"Motet à 3 voix tiré du Psaume 76, C. 130: V. Deduxisti" by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Alain Buet, Fabien Armengaud, Jean-François Novelli, Cyril Auvity was released on October 21, 2016. The duration of Motet à 3 voix tiré du Psaume 76, C. 130: V. Deduxisti is about 3 minutes long, at 3:28. Based on our data, "Motet à 3 voix tiré du Psaume 76, C. 130: V. Deduxisti" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 30 in Clérambault : Motets à trois voix d’hommes et symphonies by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Fabien Armengaud. In terms of popularity, Motet à 3 voix tiré du Psaume 76, C. 130: V. Deduxisti is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Motet à 3 voix tiré du Psaume 76, C. 130: V. Deduxisti by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Alain Buet, Fabien Armengaud, Jean-François Novelli, Cyril Auvity is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia a quattro No. 5 in D Major, SF C776: II. Adagio | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340: II. Affetuoso | Christoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses | E Major | 0 | 12B | 64 BPM | ||
Ouverture pour deux violons et basse continue in A Major, Op. 13 No. 3: III. Largo | Jean-Marie Leclair, Patrick Cohën-Akenine, Les Folies Françoises | F♯ Minor | 2 | 11A | 115 BPM | ||
Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM | ||
12 Flute Sonatas (1724), Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 75 BPM | ||
Sonata in C Major, Op. 6, No. 1: II. Larghetto | Tomaso Albinoni, Ensemble Barocco Sans Souci | B Major | 0 | 1B | 103 BPM | ||
Violin Concerto in F Major "Il Proteo o sia il mondo al rovescio", RV 544: II. Largo | Antonio Vilvaldi, Antonio Vivaldi, Jordi Savall, Alfia Bakieva, Les Musiciennes du Concert des Nations | C Major | 0 | 8B | 101 BPM | ||
Basse et Dessus de Trompette | Louis-Nicolas Clérambault, Jean Victor Arthur Guillou | D Minor | 1 | 7A | 68 BPM | ||
Ariane et Bacchus, Prologue: Ouverture pour entracte | Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet | D♭ Minor | 1 | 12A | 87 BPM | ||
Orphée: Récit. Le fameux chantre de la Thrace - Air. Fidèle échos de ces bois | Louis-Nicolas Clérambault, Etienne Bazola, Thomas Leconte, Josèphe Cottet, Thibaut Roussel, Mathilde Vialle | B Minor | 0 | 10A | 60 BPM |
Section: 0.6473188400268555
End: 0.6512084007263184