George Perlman, Lawrence Golan, Martin Perry's ' "Israeli Concertino: Hora-Hatikvah" was released on its scheduled release date, April 1, 1997. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Israeli Concertino: Hora-Hatikvah's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Perlman, Lawrence Golan's "Indian Summer" album is number 1 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, Israeli Concertino: Hora-Hatikvah's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Israeli Concertino: Hora-Hatikvah by George Perlman, Lawrence Golan, Martin Perry to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite pour instruments d'archet et flûte, P. 57: I. Badinage | Ottorino Respighi, Roberto Fabbriciani, Orchestra Sinfonica Abruzzese, Nicola Paszkowski | B Minor | 1 | 10A | 85 BPM | ||
Fantasia dall'Austria: "Le Desir" su un tema di Franz Schubert, Op.2: VII. Variazione V Rondò allegretto | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | A♭ Major | 4 | 4B | 107 BPM | ||
The Lark in the Clear Air (Arr. for Piano Trio by Thomas Christopher Kelly) | Traditional, Lynda O'Connor, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Sonata in B-Flat Major for Violin & Fortepiano, Op. 1b, G.076: II. Tempo di minuetto | Joseph Boulogne Chevalier de Saint-Georges, Andrew McIntosh, Steven Vanhauwaert | B♭ Major | 2 | 6B | 82 BPM | ||
Mendelssohn: Lieder ohne Worte, Op. 62, No .6, "Frühlingslied" | Su Shien-Ta, Yu Tsui-Ling | F Major | 0 | 7B | 78 BPM | ||
Five Melodies, Op. 35b: II. Lento, ma non Troppo | Sergei Prokofiev, Stefan Hempel, Daniel Seroussi | D Major | 1 | 10B | 67 BPM | ||
Spanish Dances, Op. 21: No. 1, Malagueña | Yu-Chien Tseng, Han-Chien LEE | D Major | 1 | 10B | 95 BPM | ||
Russische Fantasie No. 2 | Leo Portnoff, Monika Stauss Joensen, Birgitte Schnakenburg | D Minor | 2 | 7A | 132 BPM | ||
Le Corsaire: Cave Pas de Deux - Part One | Adolphe Adam, English National Ballet Philharmonic, Gavin Sutherland | F Major | 0 | 7B | 0 BPM | ||
Sempre libera - Themes from 'La Traviata': Addio, del passato | Giuseppe Verdi, Luka Faulisi | A Minor | 1 | 8A | 127 BPM |