George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown's 'Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: IV. Adagio' came out on January 1, 2000. With Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: IV. Adagio being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel's "Handel: Concerto Grosso Op. 6, Nos. 1, 2, 8, 9, 10 and 12" album is number 13 out of 32. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: IV. Adagio's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: IV. Adagio by George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 4 In C Major, G. 481: II. Adagio | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | G Major | 0 | 9B | 96 BPM | ||
Förster: Horn Concerto in E-Flat Major: III. Allegro | Christoph Förster, Barry Tuckwell, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 1 | 5B | 102 BPM | ||
Concerto Grosso in G Minor, Op. 3, No. 2: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | G Minor | 2 | 6A | 129 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | ||
Concerto in G minor, Op.10, No.2, RV 439 " La notte": 4. Presto | Antonio Vivaldi, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | E Minor | 0 | 9A | 83 BPM | ||
Concerto for 3 Violins in D Major, BWV 1064R: I. Allegro | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Linda Melsted, David Greenberg | B Minor | 1 | 10A | 86 BPM | ||
Albinoni: Concerto for Two Oboes in G Major, Op. 9 No. 6: I. Allegro | Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti | G Major | 2 | 9B | 133 BPM | ||
Quintette No. 2 en Fa Majeur, Op. 41 G. 347: II. Andante | Luigi Boccherini, Roel Dieltiens, Ensemble Explorations | G Major | 0 | 9B | 133 BPM | ||
Horn Concerto No.2 in D, H.VIID No.4: 2. Adagio | Franz Joseph Haydn, Barry Tuckwell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 86 BPM | ||
Concerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: III. Larghetto, e piano | George Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 169 BPM |
Section: 0.5489320755004883
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